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The King |
Alternate Titles:
Prince, Rightful Heir, Bridegroom, Lover
The King is the archetypal
realization of the idea of legitimate worldly authority. Under his
auspices, the Kingdom is guaranteed to prosper -- whether it is a broad
kingdom of valleys and dells, or a kingdom of a single hearth and a
woman's heart. His authority derives its legitimacy from the fact that
it is always directed towards the highest good for his people or his
Princess. This is why he is often to be found traipsing around the
world, or his army camp, dressed as a commoner. It is important to him
to know what his people need, in order that he can provide it. His
willingness to stand against the enemies of the realm in single combat
-- rather than subject his subjects to needless danger in battle -- is
an eloquent testimony to the sincerity of his political priorities.
In many cases, the King's story begins before he has actually managed
to claim his throne. In these stories he must overcome various
obstacles in order either to win the girl, or to become the King. If he
is involved in a Romance plot, there is only one woman in the world,
and he will overcome all obstacles to prove himself worthy of her hand.
| Henry V -- Shakespeare |
| Aragorn -- Lord of the Rings |
| Paul Atriedes -- Dune |
| -- |
| Arthur, King of the
Britons -- Monty Python and the Holy Grail Perseus -- Clash of the Titans |
| King
Arthur -- Idylls of the King |
| Odysseus
-- The Odyssey Orpheus -- Greek Myth |
| The Steadfast Tin Soldier -- Anderson The Frog Prince -- Grimm |
| Tamino -- The Magic
Flute The Crusader -- Chris de Burg |
| Rama -- Ramayana |
| Peter -- The Lion the Witch and the Wardrobe |
| King
David
-- The Holy Bible |
Archetypal
Events: Survey Kingdom, Foot Washing, Banquet, Herald
Quest, Single Combat, Rally
Common
King Plots:
Return of the King: The line of
Kings was broken long ago, and the Kingdom has fallen into disrepair --
the stewards are corrupt, or there simply isn't any leadership to speak
of. The rightful heir is persuaded, usually with some reluctance, to go
forth and claim the throne of his fathers.
Rescue the
Princess: The Princess has been captured by a Usurper and dragged off
into his underworld lair. The Prince descends through death and trials
in order to bring her back and make her his wife.
Most Worthy Suitor: The old
king has declared open season on the hand of his daughter and half the
Kingdom. The Prince must perform deeds of valour in order to prove
himself worthy.
| Resonances:
Priest, Martyr |
Shadows:
Wiseman, Accuser |
The
King's Castle: Although he is willing to go slumming it
amongst the commoners, and may be found in exile at certain points
during his plot, the King's proper home is a castle. Specifically, it
is a place of grandeur where he is able to adequately govern his
Kingdom and provide for the needs of his bride. The Castle, like the
Kingdom, responds to the King's presence: when he is there, it is in
order and all of its inhabitants are happy. When he is away, a pall is
cast over it which does not lift until he has returned.
The
Sword of Great Reknown: The proper weapon for a King is
a sword; but it is almost never an ordinary, common sword. It is often
a named sword, old beyond telling, possessed of magical properties and
forged by the gods. Often, it belongs to him alone and he is the only
one who is able or qualified to use it. Odysseus' bow is a variant on
the theme: Odysseus was a Rogue when he left for Troy, but the bow that
he left behind is Kingly: Odysseus himself is the only man capable of
drawing it.
The
King's Crown: The circle is the most perfect of the
shapes, and gold is the most perfect of metals. These elements combined
are a powerful symbol of divine authority; the King, by placing the
crown on his head places himself under the authority of God, indicating
that the authority he brings to his Kingdom is neither arbitrary nor
self-serving.
The
Throne of the Heart: At the centre of the human heart
there is a seat, and whatever is placed on this throne has primacy over
all other loyalties. The throne has been made to be the seat of the
other -- a person who seats himself on the throne of his own heart is
self-centred; a person who puts something less than human on it is
enslaved to lower things. When the Lover is placed on the throne,
everything else falls into order: his right to rule is founded on
selfless concern and love, which allows the person to place him or
herself under authority without becoming subject to exploitation.
Whether the King ascends to the throne of the Kingdom, or to the throne
of his beloved's heart, this is the reality that is reflected when he
claims his prize.
Minor
Symbols: Horses, Gold
| King |
Sidekick: Rogue | Lover: Princess |
| Lieutenant: Trickster | * |
Hapless Love: Shrew |
Enemy: Usurper |
Ball & Chain: Nymph |
Nemesis: Psiren |
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